And so I grant myself half an hour to allow my Fiction to show his chimera face. I plead with him to hold his stories until we may have this chance together. And now I coax my lover out to the light. Let me feast. Allow my pen to fly. Pen to paper. Pen to paper. Pen to paper. I am too powerful. The muse is again flirting, allowing my presence to overshadow the greatness he can no longer hide from me nor my pen. Every day is full of Fiction. I work hard to swallow down my strong and overriding thoughts to allow this Fiction to again appear…oh.
Momet stepped out from behind the tree. She is scared you are going to walk home and never know. Momet is urgent as she says, “I’ve missed you. You see, I AM here.” She stands very still so you may see the sentient being that she is. Momet wants you to feel that she is there. Momet wants you to recognize her. For she is plain, very believable. The clothes that hang upon her and the hair that is disheveled by the forest fit her very well. Momet is comfortable in her skin. She does not question herself. She questions you.
You gaze upon Momet and feel the strength of her presence. You are reassured that yes, she is here. And yes, you were about to go home without making contact. You were going to go home and chock it up to mental playtime and maybe some auditory illusions when the leaves started to chatter.
Momet steps once back behind the tree trunk and you could swear she was never there. And so you walk up to the tree she stepped behind. Peering around the trunk an entire scene opens. This is another dimension, with nothing to do from where you came.
There are elephants dressed like Babar lounging at the base of several trees. Wood nymphs in breeches carrying clocks like the late Mad-Hatter scurry in and out all through this forest. Wood flowers, white and purple violets, Dutchmen’s breeches trefoil clover leaves and an abundance of greens cover the forest floor. The canopy of green is high and wide.
Momet’s hair is a darker shade of brown and long. It is disheveled, but not truly messy. A simple day in the forest makes it this way. Violet petals and pine pieces have found a places to rest in her hair. Momet smells of the forest floor. She smells moist and cool and dark. Pine and violets and redwood bark all blend to smell like Momet.
Her clothes hang about her without distinguishing any features. Momet’s dress shows no bust or hips or waist. Only the boat neck collar of her shift accents her long limbed neck. Momet’s dress dangles just below her knees. The gown is layers of crinkled natural fabric. The colors are lush and full – moss green over a rich chocolate brown, both over a golden sunshine warming yellow. Her feet are bare. And this makes her lithe and quiet when she moves.
Momet – gentle features, soft hands, nature itself embodied – assured, late summer maybe early fall.
Her smile is volumes in unsaid statements. Sometimes you are left wondering if she did smile. Or did she merely nod. Or even that. Her eyes must have conveyed the meaning. Is she clairvoyant? She is not a mute. She told you she was here. Momet has thrown her head back and her hair will fly and her teeth sparkle with the laughter she lets loose in pleasure and surprise. Momet was named by the forest here. Momet will guide you through.